FILM NOIR

Blaser, John. (1994-1999). The Good Women. No Place for a Women: The Family in Film Noir Retrieved August 8, 2012, from http://www.lib.berkeley.edu/MRC/noir/np06good.html

Borde, R., & Chaumeton, E. (1995). Film noir. Towards the Definition of Film Noir, 17-25.
Cover of Witness for the Prosecution. Hornblow,Jr,Arthur (Producer), & Wilder, Billy(Director). (1957). Witness for the Prosecution [Painting]. Retrieved 13 August 2012 from https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEia2OO-PnEQGPeu8tOTR5t18lsyHUZXk248pf5w-Zj-9mhwTlOfqTmZKq7DtnJuyJDQJPcCxUi3KqcfJh1aN_wDLULBiMvYAsSn9MV0qmo0bbayM44AP62ryoLkI1ffDirhocSxVL1rau8h/s1600/25.++Witness+for+the+Prosecution.jpg

Dimendberg, E. (2004). Film noir. Film Noir and the Spaces of Modernity, 3-13.

Double Indemnity (Billy Wilder, 1944)  Retrieved 13 August 2012 from
http://www.fact.co.uk/media/1872673/Double%20Indemnity%202.jpg

Double Indemnity (Billy Wilder, 1944)  Retrieved 13 August 2012 from
http://www.eskimo.com/~noir/ftitles/doublei/di03.jpg

Double Indemnity (Billy Wilder, 1944)  Retrieved 13 August 2012 from http://shadowsandsatin.files.wordpress.com/2012/02/ssdianklet.jpg

Fuchs, C. (2001). Memento. Retrieved August 10, 2012, from PopMatters website: http://www.popmatters.com/pm/review/memento

Gant, M. C. (2006). Film noir. Hollywood Genres and Post War America, 1-17.

Good women in Billy Wilder's Sunset Boulevard (1950).CINEMATICAL : Shadow of Film Noir:Sunset Boulevard, Retrieved 8 August 2012 from http://blog.moviefone.com/2010/07/28/shadows-of-film-noir-sunset-boulevard/ 

Hayward, S. (n.d.) Cinema studies third edition: FILM NOIR (pg148-153). Routledge. Menegaldo,Gilles (2004) ‘Flashbacks in Film Noir’, Partie IV. Filming the Crime Novel,p.157-175.

Hitchcock, A. (Director). (1943). Shadow of a Doubt [Motion picture]. America.

Hornblow,Jr,Arthur (Producer), & Wilder, Billy(Director). (1957). Witness for the Prosecution. [Motion Picture]. United States: Edward Small Productions


Hornblow,Jr,Arthur (Producer), & Wilder, Billy(Director). (1957). Witness for the Prosecution [Painting]. Retrieved 13 August 2012 from https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgL684zSSIYkPWq_b2B9Zdxrx1dKJjEXvitmC9Jpk7LTDKwC00HeSLQV4_9keRjRq37yejUcBa57twmZt2pQ0v5KfNZr-pSqQDt3FkXFjWxnyGwdHrsIRXVAlEqCStGKjEjHIFd8ZTuz2SX/s1600/Witness+For+The+Prosecution.bmp


Hornblow,Jr,Arthur (Producer), & Wilder, Billy(Director). (1957). Witness for the Prosecution [Painting]. Retrieved 13 August 2012 from https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbU5f35CJGbDwVB5IoQJO9SpF3zsp6Es-4uFmQJDBt16A5fk9tSElJsetP7vX_7XALOdASv1EX3Q7SM4o1K3qLZ9bUwbztmNmG_MXWpYR3qLazLsAFD0apkw3qtUM2a9_lyzmzcaav1_U/s1600/witness1.jpg


Hornblow,Jr,Arthur (Producer), & Wilder, Billy(Director). (1957). Witness for the Prosecution [Painting]. Retrieved 13 August 2012 from http://www.afilmcanon.com/storage/witnessfortheprosecution.jpg?__SQUARESPACE_CACHEVERSION=1249917430642

Klein, A. (2001, June 29). Everything you wanted to know about “Memento”. Retrieved August 13, 2012, from Salon website: http://www.salon.com/2001/06/28/memento_analysis/

Lott, E. (1997). Film noir. The Whiteness of Film Noir, 9(3), 1-12.


Male protagonistin Billy Wilder's Sunset Boulevard (1950).CINEMATICAL : Shadow of Film Noir:Sunset Boulevard, Retrieved 8 August 2012 from http://blog.moviefone.com/2010/07/28/shadows-of-film-noir-sunset-boulevard/

n.a. (n.d.) FILM NOIR part 1. Film Noir Retrieved August 8, 2012, from http://www.filmsite.org/filmnoir.html/

Naremore, J. (1998). Film noir. More Than Night: Film Noir in Its Contexts, 9-13.

Phillips, G. D. (2000). Film noir. Creatures of Darkness: Raymon Chandler, Detective Fiction, and Film Noir, 1-33.

Reed, C. (Director). (1949). The Third Man [Motion picture]. America.

Shahinvar, J. (2001). Memento not easily forgotten. Retrieved August 13, 2012, from http://www.jhu.edu/~newslett/04-12-01/Arts/2.html

Snyder, Scott (2011) ‘Personality Disorder and the Film Noir Femme Fatale’, Journal of Criminal Justice and Popular Culture, 8(3) (2011) 155-168.

Telotte, J. P. (1989). Film noir. Voices in the Dark: The Narrative Pattern of Film Noir, 1-12.

Tomas. (2011, August 15). To What Extent is Memento a Flippo (1998) Film Noir? [Blog post]. Retrieved from Moviestuff website: http://moviestuffnow.blogspot.com/2011/08/ to-what-extent-is-memento-flippo-1998.html

Wilder, B. (Director). (1944). Double indemnity [Motion picture] America.

Wilder, B. (Director). (1950). Sunset Boulevard [Motion picture]. America.